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Photo

Apr 25, 2012
@ 4:24 pm
Permalink
336 notes

I’d like to take a Scrooge McDuck swim through these. That, or throw a pool party.
factandaphoto:

Cranberries are harvested as pictured above — the beds are flooded and the floating berries are “wet-picked.” (About 5-10% of cranberries harvested in the United States are “dry-picked.”)
(Photo via Wikimedia Commons)

I’d like to take a Scrooge McDuck swim through these. That, or throw a pool party.

factandaphoto:

Cranberries are harvested as pictured above — the beds are flooded and the floating berries are “wet-picked.” (About 5-10% of cranberries harvested in the United States are “dry-picked.”)

(Photo via Wikimedia Commons)

(via npr)


Photo

Apr 25, 2012
@ 12:08 pm
Permalink
1,231 notes

ghostmodernism:

This is the first time I’ve heard the bit about everyone running away from her at the end. Marina is amazing, brave as hell, and actually quite funny in person. <3forlife. 
billyjane:

Marina Abramović, Rhythm 0, 1974
To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her.
Abramović had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions.
Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained impassive) people began to act more aggressively. As Abramović described it later:
“What I learned was that… if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.
photo courtesy of igoyugo , audio available @ MoMA

ghostmodernism:

This is the first time I’ve heard the bit about everyone running away from her at the end. Marina is amazing, brave as hell, and actually quite funny in person. <3forlife. 

billyjane:

Marina Abramović, Rhythm 0, 1974

To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging (and best-known) performances. She assigned a passive role to herself, with the public being the force which would act on her.

Abramović had placed upon a table 72 objects that people were allowed to use (a sign informed them) in any way that they chose. Some of these were objects that could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed the audience members to manipulate her body and actions.

Initially, members of the audience reacted with caution and modesty, but as time passed (and the artist remained impassive) people began to act more aggressively. As Abramović described it later:

“What I learned was that… if you leave it up to the audience, they can kill you.” … “I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation.

photo courtesy of igoyugo , audio available @ MoMA


Photo

Apr 24, 2012
@ 9:40 pm
Permalink
1 note

buttes chaumont.

buttes chaumont.


Photo

Apr 24, 2012
@ 9:39 pm
Permalink

near the canal st martin.

near the canal st martin.


Photo

Apr 24, 2012
@ 9:38 pm
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2 notes

love this floor.

love this floor.


Photo

Apr 24, 2012
@ 9:37 pm
Permalink
1 note

I got this manicure two weeks ago and it&#8217;s still goin strong, y&#8217;all. I&#8217;m a convert to the reverse French: a lazy woman&#8217;s dream come true.

I got this manicure two weeks ago and it’s still goin strong, y’all. I’m a convert to the reverse French: a lazy woman’s dream come true.


Photo

Apr 24, 2012
@ 9:37 pm
Permalink

from an abandoned train station in bxl.

from an abandoned train station in bxl.


Link

Apr 24, 2012
@ 3:30 pm
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reason #302 we're excited about philly »

because “bratpunk shit-fi” is a genre of music. and when i mentioned it to our friend matty — that i had found a band defined by those parameters — he immediately responded with “omg slutever, i’ve been meaning to catch them.”


Link

Apr 24, 2012
@ 3:14 pm
Permalink
1 note

girl walk, all day »

this movie is my spirit animal


Video

Jan 18, 2012
@ 5:35 pm
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1 note

if you squint really, really hard, i swear we’re in the trailer. ian and i had floor tickets to what was honestly one of the best nights of my life. we danced for four hours—i was wearing 4.5inch heels—stone cold sober. we eventually left our friend in the arms of a group of mimes in a party at the ace, and when he wasn’t on tumblr for 24 hours after, we seriously considered calling the cops.